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一直作為米路斯．科曼劇(jù )(🥇)本鐵三(sān )角（另一位(wèi )是帕(😘)培(🕟)錫，也是本片編劇之一）成員的艾(ài )雲．巴薩，當然(🥩)也走低(dī )(🎾)度戲劇(jù )(👋)路線(xiàn )。同(tóng )是音樂(♑)家的(de )彼(🚤)德與(yǔ )卡洛(luò )(🕔)老友(👑)重逢，生活狀(🕖)況大不同，你(nǐ )有伴侶我有家庭(🕌)，然而都(🎫)有說不出的不明朗，唯有以酒與音(😱)樂代替口水。全片(piàn )推(tuī )展不問(wèn )目的，只在剎那間的意(💱)圖(🦗)，行行企(㊗)企(qǐ )比(bǐ )起科(🗞)曼更義無反顧(gù )，卻有(yǒu )生活淡(dàn )如流水的詩意和(hé )繆(miù )(🈴)思，叫觀眾聯(lián )想到二十年(nián )(⛳)後(hòu )的(de )伊力．盧(lú )馬。巴薩鍾愛音樂的程(chéng )度不下於文字(❕)和電影(💔)，古典音(👊)樂(🛎)與(yǔ )民(🚗)間音樂於(🈸)全(➡)片迴轉迴盪，難怪成了奇斯洛夫(fū )(💹)斯基十(shí )(💯)大心(xīn )(🔈)愛電影之一。 (🔍) (😙)康城(⏲)影展青(👌)年評審團(🔷)獎(jiǎng )，美國全國影評人(rén )協(🚲)會特別(🌂)獎(jiǎng ) 這部(🔫)1966年的(⏳)珍品，是(🍁)捷克新浪(làng )潮短暫(📤)生命(🍺)中最(zuì )佳作(zuò )品之一(🧘)。成(🤼)名音樂家(jiā )到(💑)小鎮(zhèn )探訪(fǎng )舊同(⛴)學，舊同學是個窮(qióng )音樂教(jiāo )師，有時在(zài )喪禮上吹(🖱)奏樂曲。平(píng )凡(fán )的素材在巴素(sù )手裡，變(🚓)出風(fēng )趣復罕見的旋(🗒)律，一(🌒)部憂鬱(⛎)的喜劇，或灰色喜(😼)劇。 (🦐) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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